Thursday, March 14, 2013

Balthus: Painter of Disturbing Visions

Balthus - The Street - 1933























Balthusian

James Hart

“Balthus is a painter of whom nothing is known.
Now let us look at the pictures.  Regards.  B.”

Somehow the man resides inside his art,
his face framed like a guileless child’s in mirrors,
his finger poised on the same splendors his mute
angels touch in their dreams of smoke and music,
night wind breathing mist of dark guitars.

He’d have us believe amnesia frees him from
the portrait’s frame; that only strangers pose behind
those piercing eyes—his locked in Time’s hermetic stare.
Perhaps his laughing cat, a grinning clown in harlequin
hair, hides the true Balthusian ruse?  That art

is of its making, not the maker nor his motive?
Beauty his votive offering to obstinate gods?
What if he’d sparked his own austere madness
with one diviner sense?  Wouldn’t he ask of us
to love such innocence we cannot name?

Like fetish whispers umbered onto canvas,
or the artist’s finger touching rouge to blush of flesh,
Balthus disabuses us of any mystery here:  see how
we’re repelled yet gravely drawn to his rumpled nymphs,
lissome Lolitas, slender stigmas after their petals fall.







October 13, 2004; March 17, 2005


Note regarding quotation:  Telegram sent by Balthus to English
art critic John Russell after he pressed Balthus for biographical
details to include in the 1968 Balthus retrospective
at the Tate Gallery in London.






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